Venue
Ordway Concert Hall
Duration
2 Hours

wild, highly technical blend of bluegrass, folk, and jazz and classical

— Rolling Stone

Prolific guitarist Leo Kottke boasts an impressive body of work and an unrivaled fingerpicking style. His forty-plus albums over four decades have earned him two Grammy nominations and widespread acclaim. Drawing inspiration from folk, blues and jazz, he plays his signature six-string and twelve-string guitars with effortless aptitude, a big heart and an even bigger grin. Kottke was born in Athens, Georgia, but left town after a year and a half. Raised in twelve different states, he absorbed a variety of musical influences as a child. There, he flirted with both violin and trombone, before abandoning Stravinsky for the guitar at age eleven. He added a love for the country blues of Mississippi John Hurt to the music of John Philip Sousa and Preston Epps. Then, Kottke joined the Navy underage, to be underwater, and eventually lost some hearing shooting at lightbulbs in the Atlantic. He served on the USS Halfbeak, a diesel submarine. Discharged in 1964, he settled in the Twin Cities area and became a fixture at Minneapolis’ Scholar Coffeehouse. Further, this venue had been home to Bob Dylan and John Koerner. Kottke has been awarded two Grammy nominations. Also, a Doctorate in Music Performance by the Peck School of Music at the U of Wisconsin, Milwaukee. He also received a Certificate of Significant Achievement in Not Playing the Trombone from the U of Texas at Brownsville with Texas Southmost College. Nellie McKay is a pop marvel and one of our greatest stewards of the Great American Songbook. She has produced an array of wildly varying albums: Get Away From Me ("a tour de force" - New York Times). Also, Normal as Blueberry Pie: A Tribute to Doris Day ("among the killer overhauls of American standards" - New York Times). Then, My Weekly Reader, music of the 60's (“kicks serious butt. The results are beautiful." - PopMatters).

The one thing certain about Ms. McKay is the size and range of her talent.

— New York Times